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Video Producer In Somalia
ISSUE 124
Front Page
Index

Headlines

- Somaliland's Case Raised For The First Time In The AU Commission
- Somaliland Becomes First In The Region To Create Special Force For Protection Of UN And NGO Workers
- Government Asked To Help

- Al-Khaleej: Djibouti And Ethiopia To
Mediate Talks Between Rayale And A. Yusuf

- Darood Delegates At Mbagathi United Behind Abdillahi Yusuf’s Candidacy For President

Health

- Media To Take More Active Role In Fighting HIV/AIDS

International News

-- U.S. Names Somali For Terror Financing

- Somali Woman Says Getting GED Is A-OK
- Nearly 60 Killed, Thousands Displaced In Bulo Hawa Clashes
- Man Found Dead In St. Paul Hotel Pool Is Identified
- Saudis Are Shutting Down A Charity Tied To Terrorists

- Somali Acquitted In Terror Inquiry

- Register With Embassy, Kenyans In Somali Told

- Video Producer In Somalia
- 'Somalis Are Forgotten People'

Peace Talks

- African Union Mulls Military Intervention In Somalia
- Consultations Over Selection Of MPs Continue

People

- Trader Wants Aideed To Deposit Sh15m

Editorial & Opinions

- Is Somaliland Being Deceived?

- Educational Programme

- Who Sheds Crocodile Tears For Somaliweyn In Its Old Form?

- Rayale Revives The Old Wounds-- A Reply To To Mohmud Tani

- Here Comes Another Spin-Doctor!
- Coffee Shop Reporting By Somaliland.Org

- Challenging Another Dictatorship In Somaliland

- Minister Edna Aden: Somaliland Women Are Being Brutalized By Your Government, Will You Speak Up On Their Behalf?


Muktar

By Elizabeth C Jones, BBC News

The day I arrived in Mogadishu, my fixer began introducing me to boys who lived in the neighbourhood and earned their daily bread by "freelancing" with the militia.

From the moment I met Muktar, I knew he would be the one with whom I would film One Day of War.

He was very small and had an angelic face. He said he was 14, though he could not be sure because his family had been killed in 1994 when his house was shelled.
He remembers the day but does not know how old he was at the time.

A local militia was driving past the smouldering ruins of Muktar's home just after the attack, and rescued him. From that moment on, the militia became the only family Muktar knew.

Search for work
Muktar had no formal education. When I asked him what sort of things he dreamt about doing with his life, he replied that he was already living his dream.

"I love my country and I am a nationalist," he told me proudly. He did not have a problem with his beloved country being ruled by warlords.

On 22 March, at dawn, I found Muktar sleeping in front of his militia's much treasured "technical" - a jeep with a machine gun mounted on it.

After waking and cleaning his gun, he set off for the Green Line where he normally sought work.

The Green Line runs through what used to be Mogadishu's commercial district. It is now inhabited by militias and freelance gunmen who make their living through extortion and kidnapping.

Muktar went there as a gun-for-hire to work at one of the militia-run checkpoints.
After filming for five hours at the Green Line, I have to say it was one of the most frightening things I have ever done. Everyone has a gun and no-one is in control.

Sad goodbyes
Muktar was not a bad kid. In fact, under his tough-man exterior he was very sweet and vulnerable.

When I first met him, he had a habit of hugging his AK-47 like other kids might hug a teddy bear.

But then he took to hugging me, touching my arm, putting his hand on mine.
When I left him on the airstrip we were both close to tears.
He told me he wanted to hide in my bag and come with me.
Tragedy
Three days later Muktar was dead. At first I was told it was a gun accident, but then it transpired that he had woken one of his fellow militiamen too early.
Angry, the man grabbed his gun and shot Muktar in the head.
The only comfort I could take was that Muktar was a boy who lived a life he loved, however tragic and empty it might have seemed to me.

 

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